On the first Friday of each month, New Dominion Bookshop opens its doors for Friday Night Writes -- an open mic for emerging Charlottesville musicians and writers.
Equal parts poignant and amusing, this film is a labor of love that illustrates Oglala Lakota reservation life with thoughtfulness, telling a greater story about the complexities of the human condition.
Ben Sloan — a writer and teacher currently living in Charlottesville — published a new collection of poems entitled “Then On Out Into a Cloudless Sky.”
Each talented member of the cast and production team clearly cares for this show. Spectrum Theatre’s “Fun Home” is touching and feels timely.
Based in part on the real-life Mars One project hoping to explore Mars by 2025, “How to Live on Earth” centers on four people, all applicants for a mission to reach Mars.
“If you don’t see stories written for you, you should write them yourself,” Faulkner said.
“Natives” was presented as a roughly 90-minute movie, shown from December 17 through 19 on the Virginia Players’ Youtube page.
Gold Connections makes these hard-hitting rock songs with lyrics that ring as deep as music’s great, past troubadours, yet preoccupied with all the anxieties of the 2020 dystopian freak show we’re living in.
The latest in "Expanding the Narrative," a program from the Early Music Access Project, focused on analyzing slave songs and spirituals from historical and modern-day lenses, and featured the points of view of three unique musicians.
The postponement of almost every major studio release until 2021 has essentially made this a lost year for Hollywood, and theaters in Charlottesville are feeling the pressure.
The University community welcomed internationally renowned musician, playwright, poet and performer Joy Harjo of the Muscogee Creek Nation in a night of poetry and gratitude.
On Nov. 12, another Inside U.Va. Arts webinar detailed how programs at the University and the student art experience has changed since the start of the semester.
The drama department took on a lofty goal of virtually presenting what would have been a traditional stage play in a pandemic-free semester.
Frazier’s photography confronts social and political legacies plaguing marginalized groups and reclaims a distinct and thoughtful space for those voices to be recognized and celebrated.
Since closing due to the COVID-19 pandemic in March, The Paramount has adapted its programming drastically and now screens movies in its 1000 seat theater.
